Preserving what time cannot replace
Science, craft and respect for the original
Every work that reaches our studio has its own history. We begin by studying its materials, its condition and what has happened to it over time, then choose the least invasive treatment that will keep it stable for generations.
Led by founder Shri M.N. Manikandan, CIACH cares for paintings, stained glass, manuscripts and sculpture for museums, institutions, places of worship and private collectors across India.
Heritage Objects
- Murals and wall paintings
- Sculpture
- Manuscripts and palm leaf
- Textiles, frames and mounts
Conservation Services
Selected Projects
How We Work
Assess
On-site evaluation and a detailed condition report.
Treat
A proposal agreed with you, followed by treatment using appropriate materials.
Document
A final report and clear advice on future care.
Professional Bodies
- International Institute for Conservation of Historic and Artistic Works (IIC)
- Indian Association for the Study of Conservation of Cultural Property (IASC)
Institutions We Have Served
- Archaeological Survey of India
- Public Works Department, Chennai
- University of Madras
Insights
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Stained glass windows are among the most visually striking elements found in India’s churches, colonial buildings, palaces, and cultural structures. Their vivid colours and intricate
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Artworks don’t just get damaged suddenly — most deterioration happens slowly, often unnoticed. This is why preventive conservation has become one of the most important
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India’s artistic legacy spans centuries—paintings, sculptures, stained glass windows, manuscripts, and architectural marvels that tell our cultural story. But with time, pollution, and environmental stress