Preserving the artwork without losing its history.
A fine art object, like any material object in nature, has an inevitable tendency to deteriorate due to the effects of time and human use on the materials from which it is made.
The decay or deterioration of a painting can be caused by various factors, mainly ageing, fungal growth, moisture, fire, mishandling, etc.
Restoration
The process of recovering the fine art object's visual and structural integrity, where appropriate, is known as restoration.
Preservation
To prolong the life of a fine art object into the future through appropriate care and preventive measures is called preservation.
The Conservator's Role
A restorer/conservator has to understand the whole journey through which the artwork has passed.
The work of restoration and preservation has to be carried out with extensive experience, extreme care, and sound knowledge of scientific methods. In addition to these, restoration and preservation require experienced hands.
The restoration and conservation of a fine art object demand maximum care and precision while respecting its original materials and historical evidence. The value of its heritage, the media by which it is made, and the concept which it communicates are to be studied by the restorer/conservator.
Moreover, a serious approach with scientific equipment, sincere and dedicated practice, and excellent observation are essential for restoration and conservation. The restorer/conservator has a role not only as a practitioner, but also in applying scientific knowledge and methods.
A restorer/conservator has to understand the whole journey through which the artwork has passed and shall be equipped with artistic ability and scientific knowledge about the subject. Practical laboratory experience is also essential in addition to theoretical knowledge.
How We Work
- Study the work before touching it
- Use appropriate reversible materials
- Do only what the work needs
- Respect the artist's intention
- Record every stage of treatment
What Harms Artworks
- Natural ageing of materials
- Fungal growth
- Moisture
- Fire damage
- Mishandling
Conservation by Material
PaintingsOil, tempera, Tanjore, Thangka and other painted works.
Manuscripts & PaperPalm leaf, rare books, archival documents, maps and prints.
SculptureStone, metal, wood, terracotta and composite works.
Wall PaintingsMurals in temples, churches, palaces and historic buildings.
TextilesHistoric garments, tapestries, ritual cloths and embroidery.
Frames & MountsCarved wood, gilded, lacquered and painted frames and mounts, treated using appropriate conservation techniques.
